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The phrase '''''Sons of Ben''''' is a mildly problematic term applied to followers of [[Ben Jonson]] in [[English poetry]] and [[English drama|drama]] in the first half of the [[seventeenth century]].
{{short description|Followers of Ben Jonson in English poetry and drama}}
'''Sons of Ben''' were followers of [[Ben Jonson]] in [[English poetry]] and [[English drama|drama]] in the first half of the seventeenth century. These men followed Ben Jonson's philosophy and his style of poetry. Unlike Jonson, they were loyal to the king.


'''Sons of Ben''' has been applied to the dramatists who were overtly and admittedly influenced by Jonson's drama, his most distinctive artistic achievement. Joe Lee Davis listed eleven playwrights in this group: [[Richard Brome]], [[Thomas Nabbes]], [[Henry Glapthorne]], [[Thomas Killigrew]], Sir [[William Davenant]], [[William Cartwright]], [[Shackerley Marmion]], [[Jasper Mayne]], [[Peter Hausted]], [[Thomas Randolph]], and, [[William Cavendish, 1st Duke of Newcastle|William Cavendish]].
Sons of Ben were the dramatists who were overtly and admittedly influenced by Jonson's drama, his most distinctive artistic achievement. Joe Lee Davis listed eleven playwrights in this group: [[Richard Brome]], [[Thomas Nabbes]], [[Henry Glapthorne]], [[Thomas Killigrew]], Sir [[William Davenant]], [[William Cartwright (dramatist)|William Cartwright]], [[Shackerley Marmion]], [[Jasper Mayne]], [[Peter Hausted]], [[Thomas Randolph (poet)|Thomas Randolph]], and [[William Cavendish, 1st Duke of Newcastle-upon-Tyne|William Cavendish]].


The term, or the alternative "Tribe of Ben," was also employed as self-description by some of the [[Cavalier poet]]s who admired and were influenced by Jonson's poetry, including [[Robert Herrick]], [[Richard Lovelace]], [[Sir John Suckling]], and [[Thomas Carew]]. Reports, perhaps exagerrated, hold that Jonson and his followers congregated at London taverns, especially the ''Devil's Head'', where the upper room, nicknamed the Apollo, was the site of their meetings.
The term, or the alternative "Tribe of Ben," was a self-description by some of the [[Cavalier poet]]s who admired and were influenced by Jonson's poetry, including [[Robert Herrick (poet)|Robert Herrick]], [[Richard Lovelace (poet)|Richard Lovelace]], Sir [[John Suckling (poet)|John Suckling]], and [[Thomas Carew]]. Jonson and his followers congregated at London taverns, especially the Apollo Room in the ''Devil Tavern'', near Temple-Bar. Above the mantelpiece in this room Jonson inserted a marble slab engraved with his ''Leges Conviviales'', or 'Rules of Conviviality'. These were Jonson's rules for the group. Written in Latin, they were modelled on Horace and Martial. Translations were reprinted throughout the following century.


==See also==
==See also==
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==References==
==References==
* Davis, Joe Lee. ''The Sons of Ben: Jonsonian Comedy in Caroline England.'' Detroit, Wayne State University Press, 1967.
* Davis, Joe Lee. ''The Sons of Ben: Jonsonian Comedy in Caroline England.'' Detroit, Wayne State University Press, 1967.
* MacLean, Hugh, ed. ''Ben Jonson and the Cavalier Poets''. New York, Norton, 1974.
* MacLean, Hugh (ed.). ''Ben Jonson and the Cavalier Poets''. New York, Norton, 1974.


{{Schools of poetry}}
[[Category:English literature]]
{{Ben Jonson}}

[[Category:Literature of England]]


{{poetry-stub}}

Latest revision as of 03:50, 14 February 2021

Sons of Ben were followers of Ben Jonson in English poetry and drama in the first half of the seventeenth century. These men followed Ben Jonson's philosophy and his style of poetry. Unlike Jonson, they were loyal to the king.

Sons of Ben were the dramatists who were overtly and admittedly influenced by Jonson's drama, his most distinctive artistic achievement. Joe Lee Davis listed eleven playwrights in this group: Richard Brome, Thomas Nabbes, Henry Glapthorne, Thomas Killigrew, Sir William Davenant, William Cartwright, Shackerley Marmion, Jasper Mayne, Peter Hausted, Thomas Randolph, and William Cavendish.

The term, or the alternative "Tribe of Ben," was a self-description by some of the Cavalier poets who admired and were influenced by Jonson's poetry, including Robert Herrick, Richard Lovelace, Sir John Suckling, and Thomas Carew. Jonson and his followers congregated at London taverns, especially the Apollo Room in the Devil Tavern, near Temple-Bar. Above the mantelpiece in this room Jonson inserted a marble slab engraved with his Leges Conviviales, or 'Rules of Conviviality'. These were Jonson's rules for the group. Written in Latin, they were modelled on Horace and Martial. Translations were reprinted throughout the following century.

See also

[edit]

References

[edit]
  • Davis, Joe Lee. The Sons of Ben: Jonsonian Comedy in Caroline England. Detroit, Wayne State University Press, 1967.
  • MacLean, Hugh (ed.). Ben Jonson and the Cavalier Poets. New York, Norton, 1974.