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In 2008, director Mark Hartley released ''[[Not Quite Hollywood: The Wild, Untold Story of Ozploitation!]]'', a documentary film celebrating the romps of the Australian New Wave of 1970s and 1980s low-budget cinema and includes George Miller, [[Quentin Tarantino]] and [[Barry Humphries]].<ref>{{Cite web|url=http://curnblog.com/2013/06/09/ozploitation-twelve-australian-exploitation-classics/|title=Ozploitation: Twelve Australian exploitation classics|first=James|last=Curnow|date=8 June 2013}}</ref><ref>{{Cite web|url=https://film.avclub.com/not-quite-hollywood-the-wild-untold-story-of-ozploita-1798206658|title=Not Quite Hollywood: The Wild, Untold Story Of OZploitation!|website=Film|date=30 July 2009 }}</ref>
In 2008, director Mark Hartley released ''[[Not Quite Hollywood: The Wild, Untold Story of Ozploitation!]]'', a documentary film celebrating the romps of the Australian New Wave of 1970s and 1980s low-budget cinema and includes George Miller, [[Quentin Tarantino]] and [[Barry Humphries]].<ref>{{Cite web|url=http://curnblog.com/2013/06/09/ozploitation-twelve-australian-exploitation-classics/|title=Ozploitation: Twelve Australian exploitation classics|first=James|last=Curnow|date=8 June 2013}}</ref><ref>{{Cite web|url=https://film.avclub.com/not-quite-hollywood-the-wild-untold-story-of-ozploita-1798206658|title=Not Quite Hollywood: The Wild, Untold Story Of OZploitation!|website=Film|date=30 July 2009 }}</ref>


Media theorist Theodore Scheckles argues that the post-1970 period of Australian cinema attempted to "revise the traditional Australian hero and problematize that revision" asserting the best films of this era will be viewed "as films, not as pieces of Australiana".<ref>{{Cite journal |last=Sheckels |first=Theodore F. |date=1998 |title="New Wave" Cinema's Redefinition of Australian Heroism |url=https://www.jstor.org/stable/41958833 |journal=Antipodes |volume=12 |issue=1 |pages=29–36 |jstor=41958833 |issn=0893-5580}}</ref> Likewise Michael Walsh argues that the period represents not an "over nationalist" period of Australian cinema, but an adaption of Australian cultural tropes, culture and history to an American mass market.<ref>{{Cite journal |last=Walsh |first=Michael |date=2000 |title=Building a New Wave: Australian Films and the American Market |url=https://www.jstor.org/stable/44019076 |journal=Film Criticism |volume=25 |issue=2 |pages=21–39 |jstor=44019076 |issn=0163-5069}}</ref>
Media theorist Theodore Scheckles argues that the post-1970 period of Australian cinema attempted to "revise the traditional Australian hero and problematize that revision" asserting the best films of this era will be viewed "as films, not as pieces of Australiana".<ref>{{Cite journal |last=Sheckels |first=Theodore F. |date=1998 |title="New Wave" Cinema's Redefinition of Australian Heroism |url=https://www.jstor.org/stable/41958833 |journal=Antipodes |volume=12 |issue=1 |pages=29–36 |jstor=41958833 |issn=0893-5580}}</ref> Likewise Michael Walsh argues that the period represents not an "over nationalist" period of Australian cinema, but an adaptation of Australian cultural tropes, culture and history to an American mass market.<ref>{{Cite journal |last=Walsh |first=Michael |date=2000 |title=Building a New Wave: Australian Films and the American Market |url=https://www.jstor.org/stable/44019076 |journal=Film Criticism |volume=25 |issue=2 |pages=21–39 |jstor=44019076 |issn=0163-5069}}</ref>


== See also ==
== See also ==

Revision as of 23:29, 8 October 2024

The Australian New Wave (also known as the Australian Film Revival, Australian Film Renaissance, or New Australian Cinema) was an era of resurgence in the worldwide popularity of the Australian cinema, particularly in the United States. It began in the early 1970s and lasted until the mid-late 1980s. The era also marked the emergence of Ozploitation, a film genre characterised by the exploitation of colloquial Australian culture.

Background

The Australian film industry declined after World War II, coming to a virtual stop by the early 1960s. The Gorton (1968–71) and Whitlam governments (1972–75) intervened and rescued the industry from its expected oblivion.[1] The federal and several state governments established bodies to assist with the funding of film production and the training of film makers through the Australian Film, Television and Radio School, which fostered a new generation of Australian filmmakers who were able to bring their visions to the screen. The 1970s saw a huge renaissance of the Australian film industry. Australia produced nearly 400 films between 1970 and 1985, more than had been made in the history of the Australian film industry.[1][2]

In contrast to pre-New Wave films, New Wave films are often viewed as fresh and creative, possessing "a vitality, a love of open spaces and a propensity for sudden violence and languorous sexuality". The "straight-ahead narrative style" of many Australian New Wave films reminded American audiences of "the Hollywood-maverick period of the late 1960s and early '70s that had just about run its course".[3]

Notable films

1970s

1980s

Notable figures

Many filmmakers and actors launched international careers through their work in the Australian New Wave.

  • Mel Gibson
    Mel Gibson
  • Nicole Kidman
    Nicole Kidman
  • Sam Neill
    Sam Neill
  • George Miller
    George Miller
  • Peter Weir
    Peter Weir

Legacy

Several films of the Australian New Wave are regarded as classics of world cinema and have been ranked among films considered the best. Published in 2004, The New York Times Guide to the Best 1,000 Movies Ever Made includes Walkabout, Mad Max, Breaker Morant, Gallipoli, Mad Max 2, The Year of Living Dangerously and Dead Calm.[16] In 2008, Empire magazine chose Mad Max 2 and The Year of Living Dangerously as two of the 500 Greatest Movies of All Time, ranking in at #280 and #161 respectively.[17] The 2011 book 1001 Movies You Must See Before You Die features Walkabout, Picnic at Hanging Rock, The Last Wave, The Chant of Jimmie Blacksmith, My Brilliant Career, Mad Max and Gallipoli (winner of multiple AACTA Awards[18]).[19] Since its re-release in 2009, Wake in Fright has been assessed as one of, if not the greatest, Australian New Wave film.[20][21][22]

The term "glitter cycle" refers to a subgenre of eccentric Australian comedies that came to prominence in the early 1990s, spurning a post-new wave revival of Australian film. These films are noted for their celebration of Australian popular culture, camp aesthetic, colourful makeup and costuming, and musical performance pieces. Prominent glitter films include Strictly Ballroom (1992), Muriel's Wedding (1994), The Adventures of Priscilla, Queen of the Desert (1994) and Love Serenade (1996). Other prominent post-new wave revival films of the 1990s include The Big Steal (1990), Proof (1991), Romper Stomper (1992), Babe (1995), Shine (1996), Kiss or Kill (1997), and The Castle (1997).[23][14]

In 2008, director Mark Hartley released Not Quite Hollywood: The Wild, Untold Story of Ozploitation!, a documentary film celebrating the romps of the Australian New Wave of 1970s and 1980s low-budget cinema and includes George Miller, Quentin Tarantino and Barry Humphries.[24][25]

Media theorist Theodore Scheckles argues that the post-1970 period of Australian cinema attempted to "revise the traditional Australian hero and problematize that revision" asserting the best films of this era will be viewed "as films, not as pieces of Australiana".[26] Likewise Michael Walsh argues that the period represents not an "over nationalist" period of Australian cinema, but an adaptation of Australian cultural tropes, culture and history to an American mass market.[27]

See also

References

  1. ^ a b "Film in Australia". Archived from the original on 17 February 2011. Retrieved 28 June 2009.
  2. ^ Wendy Lewis, Simon Balderstone and John Bowan (2006). Events That Shaped Australia. New Holland. pp. 229–233. ISBN 978-1-74110-492-9.
  3. ^ Hale, Mike (23 January 2013). "When Australia Soared on Film". The New York Times. ISSN 0362-4331. Retrieved 11 June 2023.
  4. ^ a b c d "The Best Australian New Wave Movies of All Time | Page 4 - Flickchart".
  5. ^ a b c d e f g h i j k l m "The Best Australian New Wave Movies of All Time - Flickchart".
  6. ^ a b c d e f g h i j k l m n o p q r s t u Australian New Wave - The Criterion Channel
  7. ^ a b c d e Withers, Ned Athol (21 December 2015). "The 10 Best Films of The Australian New Wave".
  8. ^ a b c d e f g h i j k l "The Best Australian New Wave Movies of All Time".
  9. ^ a b c d e f g h i j k l "The Best Australian New Wave Movies of All Time | Page 3 - Flickchart".
  10. ^ "Movie movements that defined cinema: the Australian New Wave". Empire. 8 August 2016.
  11. ^ David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p253
  12. ^ a b c d e Withers, Ned Athol (21 December 2015). "The 10 Best Films of The Australian New Wave".
  13. ^ "The Best Australian New Wave Films". 21 February 2019.
  14. ^ a b c Craven, Ian (12 October 2012). Australian Cinema in the 1990s. Routledge. ISBN 9781136326998 – via Google Books.
  15. ^ a b c d e f g h i j k l m n o p q r s t u v w x y "Australian New Wave Movies". Flickchart.
  16. ^ "Movies". The New York Times. ISSN 0362-4331. Retrieved 11 June 2023.
  17. ^ "Empire's 500 Greatest Movies of All Time", Empire. Retrieved 26 January 2013.
  18. ^ "Gallipoli AFI awards highlights 1981 by Mickeyjuice on YouTube". YouTube. 18 November 2006. Archived from the original on 21 December 2021.
  19. ^ Schneider, Steven Jay. 1001 Movies You Must See Before You Die. London: Quintessence Editions Ltd.. ISBN 1844036979
  20. ^ Buckmaster, Luke (14 February 2014). "Wake in Fright: rewatching classic Australian films". The Guardian. ISSN 0261-3077. Retrieved 11 June 2023.
  21. ^ Cave, Nick. "Wake in Fright (brand-new 35mm print!)" Archived 2 April 2015 at the Wayback Machine, The Cinefamily. Retrieved 7 May 2013.
  22. ^ Gibson, Anthony (18 January 2013). "Lawless director John Hillcoat picks his favourite movie nightmares". Metro. Retrieved 11 June 2023.
  23. ^ "Don't Let Them Drag You Down: The Adventures of Priscilla, Queen of the Desert by Philip Brophy". 26 August 2008.
  24. ^ Curnow, James (8 June 2013). "Ozploitation: Twelve Australian exploitation classics".
  25. ^ "Not Quite Hollywood: The Wild, Untold Story Of OZploitation!". Film. 30 July 2009.
  26. ^ Sheckels, Theodore F. (1998). ""New Wave" Cinema's Redefinition of Australian Heroism". Antipodes. 12 (1): 29–36. ISSN 0893-5580. JSTOR 41958833.
  27. ^ Walsh, Michael (2000). "Building a New Wave: Australian Films and the American Market". Film Criticism. 25 (2): 21–39. ISSN 0163-5069. JSTOR 44019076.
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