Shukongoshin: Difference between revisions
His mouth is depicted as being in the shape necessary to form the "ah" sound, leading to his alternate name. |
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Shukongōshin, also called '''Agyo''' (阿形), is a symbol of overt violence: he wields a thunderbolt stick and bares his teeth. His mouth is depicted as being in the shape necessary to form the "ah" sound, leading to his alternate name. He is a manifestation of the [[Bodhisattva]] [[Vajrapani]], protector deity of the Buddha. |
Shukongōshin, also called '''Agyo''' (阿形), is a symbol of overt violence: he wields a thunderbolt stick and bares his teeth. His mouth is depicted as being in the shape necessary to form the "ah" sound, leading to his alternate name. He is a manifestation of the [[Bodhisattva]] [[Vajrapani]], protector deity of the Buddha. |
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Shukongoshin is an interesting case of transmission of the image of the famous Greek god [[Herakles]] to the Far-East along the [[Silk Road]]. [[Herakles]] was used in Greco-Buddhist art to represent [[Vajrapani]], the protector of the Buddha (See also [http://www.exoticindiaart.com/artimages/BuddhaImage/greece_sm.jpg]), and his representation was then used in China and Japan to depict the protector gods of Budhist temples. This transmission is part of the wider [[Greco-Buddhist]] syncretic phenomenon, |
Shukongoshin is an interesting case of transmission of the image of the famous Greek god [[Herakles]] to the Far-East along the [[Silk Road]]. [[Herakles]] was used in Greco-Buddhist art to represent [[Vajrapani]], the protector of the Buddha (See also [http://www.exoticindiaart.com/artimages/BuddhaImage/greece_sm.jpg]), and his representation was then used in China and Japan to depict the protector gods of Budhist temples. This transmission is part of the wider [[Greco-Buddhist]] syncretic phenomenon, where [[Buddhism]] interacted with the [[Hellenistic]] culture of Central Asia from the [[4th century BC]] to the [[4th century|4th century AD]]. |
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[[Image:Heracles-Shukongoshin.JPG|center|thumb|600px|Iconographical evolution from the Greek [[Herakles]] to Shukongōshin. From left to right:<br />1) [[Herakles]] (Louvre Museum).<br />2) [[Herakles]] on coin of [[Greco-Bactrian]] king [[Demetrius I of Bactria|Demetrius I]].<br />3-4) [[Vajrapani]], the protector of the [[Buddha]], depicted as Herakles in the [[Greco-Buddhist art]] of [[Gandhara]].<br />5) Shukongōshin, manisfestation of [[Vajrapani]] as protector deity of Buddhist temples in Japan.]] |
[[Image:Heracles-Shukongoshin.JPG|center|thumb|600px|Iconographical evolution from the Greek [[Herakles]] to Shukongōshin. From left to right:<br />1) [[Herakles]] (Louvre Museum).<br />2) [[Herakles]] on coin of [[Greco-Bactrian]] king [[Demetrius I of Bactria|Demetrius I]].<br />3-4) [[Vajrapani]], the protector of the [[Buddha]], depicted as Herakles in the [[Greco-Buddhist art]] of [[Gandhara]].<br />5) Shukongōshin, manisfestation of [[Vajrapani]] as protector deity of Buddhist temples in Japan.]] |
Revision as of 02:32, 25 July 2005
Shukongōshin (Japanese: 執金剛神) is one of the two Niō (仁王, lit. Two kings) protective deities, the wrath-filled and muscular guardians of the Buddha, standing today at the entrance of many Buddhist temples in Japan under the appearance of frightening wrestler-like statues. According to Japanese tradition, these guardians travelled with the historical Buddha to protect him.
Shukongōshin, also called Agyo (阿形), is a symbol of overt violence: he wields a thunderbolt stick and bares his teeth. His mouth is depicted as being in the shape necessary to form the "ah" sound, leading to his alternate name. He is a manifestation of the Bodhisattva Vajrapani, protector deity of the Buddha.
Shukongoshin is an interesting case of transmission of the image of the famous Greek god Herakles to the Far-East along the Silk Road. Herakles was used in Greco-Buddhist art to represent Vajrapani, the protector of the Buddha (See also [1]), and his representation was then used in China and Japan to depict the protector gods of Budhist temples. This transmission is part of the wider Greco-Buddhist syncretic phenomenon, where Buddhism interacted with the Hellenistic culture of Central Asia from the 4th century BC to the 4th century AD.
See also
References
- "Religions and the Silk Road" by Richard C. Foltz (St. Martin's Press, 1999) ISBN 0312233388
- "The Diffusion of Classical Art in Antiquity" by John Boardman (Princeton University Press, 1994) ISBN 0691036802
- "Old World Encounters. Cross-cultural contacts and exchanges in pre-modern times" by Jerry H.Bentley (Oxford University Press, 1993) ISBN 0195076397
- "Alexander the Great: East-West Cultural contacts from Greece to Japan" (NHK and Tokyo National Museum, 2003)