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| track_no = 5
| track_no = 5
| Recorded = 9 and 21 February 1967,<br/>[[Abbey Road]] and Regent Sound studios, [[London]]
| Recorded = 9 and 21 February 1967,<br/>[[Abbey Road]] and Regent Sound studios, [[London]]
| Genre = [[Psychedelic rock]], [[Rock music|rock]]
| Genre = [[Psychedelic rock]]
| Length = 2:36
| Length = 2:36
| Writer = [[Lennon/McCartney]]
| Writer = [[Lennon/McCartney]]

Revision as of 21:15, 13 June 2010

"Fixing a Hole"
Song

"Fixing a Hole" is a song mainly written by Paul McCartney (credited to Lennon/McCartney) and performed by The Beatles on the 1967 album Sgt. Pepper's Lonely Hearts Club Band.

Recording

The first of two recording sessions for the song was at Regent Sound Studio in London on 9 February 1967 in three takes. Regent was used because Abbey Road was not available that night. This was the first time the Beatles used a studio other than Abbey Road for recording a track for an EMI album.[1]

The lead vocal was recorded at the same time as the rhythm track, a change from their post-1963 approach of overdubbing the vocal.[1]

According to McCartney, on the night of the session an unusual man appeared at the gate of McCartney's home and identified himself as Jesus Christ. After a cup of tea, and after getting him to promise to be quiet and sit in a corner, McCartney brought the man to the recording session.[2][3] After the session the man left and was never heard from again.[3]

In another version of the story, John Lennon arrived at the studio, found the man hanging around the front door, and it was Lennon who invited him in.[citation needed]

The song is referenced to by Lennon in the last stanza of the song "Glass Onion" ("Fixing a Hole in the ocean"), from The Beatles, released a year later.

In the live-action scene at the end of the 1968 film Yellow Submarine, Ringo mentions that he gave the other half of the "hole in me pocket" to Jeremy, so that he could "stop his mind from wandering", a direct reference to "Fixing a Hole".

Personnel

Personnel per Ian MacDonald[4]

Inspiration

A common theory is the song was about heroin injection (in reference to "hole" and "fix" lyrics) but McCartney said the song was "another ode to pot", and considering the song's slightly psychedelic vibe (due to the heavy use of echo on McCartney's vocals and the overall use of rather surrealistic imagery in the lyrics), this may very well be true[citation needed]. He further said the song was about having the freedom to let one's mind roam freely. Another theory is that the song is about McCartney repairing the roof of his Scottish farmhouse, but McCartney said he didn't get around to that until much later.[2] Many believe the song is a reference to track marks or "holes" left in a heroin addict's arm after getting their fix, though McCartney denied this interpretation[citation needed].

McCartney has added to the confusion:

  • In an interview with Q magazine from around the time of his 1997 album Flaming Pie, McCartney said that the song's lyric began with the simple idea of someone mending a hole in the road, and that he was living alone and smoking a lot of marijuana when he wrote it.[citation needed]
  • In a 1967 interview, McCartney said the following lines were about those fans who hung around outside his door day and night and whose actions put him off.[3]

    See the people standing there
    who disagree, and never win
    And wonder why they don't get in my door

According to his diaries, Mal Evans—the Beatles' roadie—may have made some contribution to the writing of the song.

Other versions

Notes

  1. ^ a b Lewisohn 1988, pp. 93, 95.
  2. ^ a b Miles 1997, pp. 314–315.
  3. ^ a b c Beatles Interview Database 2007.
  4. ^ MacDonald 2005, p. 235.
  5. ^ BBC Radio 2 2009.

References

  • "Sergeant Pepper's 40th Anniversary". 60s Season. BBC Radio 2. 2009. Retrieved 27 April 2009.
  • "Sgt Pepper". Beatles Interview Database. The Beatles Interview Database. 2007. Retrieved 17 February 2007.
  • Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517-57066-1. {{cite book}}: Invalid |ref=harv (help)
  • MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand). ISBN 1-844-13828-3. {{cite book}}: Invalid |ref=harv (help)
  • Miles, Barry (1997). Paul McCartney: Many Years From Now. New York: Henry Holt and Company. ISBN 0-8050-5249-6. {{cite book}}: Invalid |ref=harv (help)