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*[[Deutsches Eck|Deutsches Eck Monument]] (1894-97), [[Koblenz]], with [[Emil Hundrieser]], sculptor.
*[[Deutsches Eck|Deutsches Eck Monument]] (1894-97), [[Koblenz]], with [[Emil Hundrieser]], sculptor.
*Kaiserin Augusta Monument (1896), [[Koblenz]], with [[Karl Friedrich Moest]], sculptor.
*Kaiserin Augusta Monument (1896), [[Koblenz]], with [[Karl Friedrich Moest]], sculptor.
*[[Völkerschlachtdenkmal]] (Monument to the Battle of the Nations) (1898-1913), [[Leipzig]], with [[Clemens Thieme]], architect, and [[Franz Metzner]], sculptor.
*[[Völkerschlachtdenkmal]] (Monument to the Battle of the Nations) (1898-1913), [[Leipzig]], with [[Clemens Thieme (architect)|Clemens Thieme]], architect, and [[Franz Metzner]], sculptor.
*Bismarckturm (Bismark Tower) (1899-1900), [[Unna]].
*Bismarckturm (Bismark Tower) (1899-1900), [[Unna]].
*Villa Stockwerk (1899-1902), [[Cologne]].
*Villa Stockwerk (1899-1902), [[Cologne]].

Revision as of 17:07, 10 May 2012

Völkerschlachtdenkmal (Monument to the Battle of the Nations) (1898-1913), Leipzig.

Bruno Schmitz (21 November 1858, – 27 April 1916), was a German architect best known for his monuments in the early 1900s. He worked closely with sculptors such as Emil Hundrieser, Nikolaus Geiger and Franz Metzner for integrated architectural and sculptural effect.

Schmitz was born in Düsseldorf. His single most famous work is the massive 1913 Völkerschlachtdenkmal (Monument to the Battle of the Nations) located in Leipzig, Saxony, designed with local architect Clemens Thieme. The Monument was inaugurated in 1913 by Kaiser Wilhelm II. Bohemian sculptor Franz Metzner designed the powerful and strangely scaled interior figural-architectural 'colossal masks of fate.'

Along with the Leipzig monument, Schmitz designed the Kyffhäuser Monument and the Kaiser Wilhelm Monument at Porta Westfalica, bringing him the distinction of designing the three largest war monuments in Germany. All of them are rough, primitive masonry structures in a style that blends Romanesque precedents with modernist touches, and all of them are associated with German nationalism in the period before World War I.

Schmitz's daughter Angelica Schmitz (1893 - 1957) was the wife of the Ukrainian-American sculptor Alexander Archipenko.

Selected works

United States

References

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