Jack Grassel

Jack Grassel

Jack Grassel (born September 3, 1948) is an American jazz guitarist, teacher, and author from Milwaukee, Wisconsin.

His teachers included guitarists Tal Farlow, George Van Eps, Billy Bauer, Jimmy Wyble, George Pritchett, Don Momblow, saxophonist Joe Daley, and pianist Ted Ashford.

Early years

Grassel was born September 3, 1948 in Milwaukee, the oldest of four boys. At the age of two, upon learning to walk, he reached his arms over his head to play his mother's piano, correctly copying melodies heard on the radio. Seeing him struggling to stretch his fingers to play the huge piano keys, his father got him a small accordion and lessons. By age four, he was touring as a solo act with the Bar o Ranch variety show. He was seen on television talent shows. Starting in 1958, he won the Wisconsin State Music Festival three times. At age ten, he added a drummer and began playing weddings and dances with his duo.

He purchased a bass guitar to play professionally two nights per week in The Triumphs rock band. Modern Music Center hired him at the age of thirteen to teach piano, bass, and accordion. By the end of the decade, he was performing seven nights per week in dance clubs with The Rivieras, a six-piece rhythm and blues band that performed songs by James Brown and Bobby Bland.

In 1966 at seventeen, burned out by a life of constant musical performance, he quit playing and enrolled in Pharmacy School at the University of Wisconsin. It did not take long for him to miss music. He began to visit a record shop to be educated in jazz history by clerk Mitch Covic. Hearing his first jazz concert by Charles Lloyd's band with Keith Jarrett and Paul Motian in 1968 was a turning point. Soon he was spending his food allowance on jazz records, finding it much more interesting than rock music and school. He decided to play music again, jazz, but not with the bass or accordion. He bought a guitar to practice fifteen hours every day for six months, falling asleep at night with the guitar in his hands.

Professional career

Grassel's first employment as a guitarist came in 1970 with the rhythm and blues band The Chevrons playing the teen bar circuit. When he was twenty-one he formed the jazz rock band Matrix which worked until 1974. With Matrix he recorded the first LP of his compositions. His teaching accelerated in 1971 when he secured a job designing the jazz guitar degree program at the Wisconsin Conservatory of Music. He wrote his first two books to challenge his advanced students.

A big break came in a call to audition for the show Jacques Brel is Alive and Well and Living in Paris. When the first-call guitarists were unable to play the challenging music, Grassel succeeded. Hearing of his music skills, musicians touring the area asked to hire him. Among them were Al Martino, Trini Lopez, Tom Jones, Anna Marie Albergetti, and Carol Channing. He accompanied comedians Bob Newhart, Jay Leno, Bob Hope, Pete Barbutti, and Jerry Van Dyke. He became the guitarist for the Barnum and Bailey Circus band and the Holiday on Ice Orchestra, in addition to performing with symphony orchestras conducted by Lukas Foss and Kenneth Schermerhorn. As a studio musician he performed jingles on radio and television. He played with a radio show band in the morning, taught at the conservatory or performed in elementary schools in the afternoon, played Broadway shows in the early evening, and with his jazz trio in clubs at night.

With a family to support, Grassel turned to teaching music and playing jazz locally. He worked with Rosemary Clooney, Slide Hampton, Ed Thigpen, Stanley Jordan, and Nancy Wilson He created the Occupational Music Degree Program at Milwaukee Area Technical College and wrote the books Big Ax and Super Ax. He formed his own record company, Frozen Sky Records. As a result of the first two records of his compositions, "Magic Cereal", and "If You're Too Crazy", he was featured in the New Talent section of Guitar Player magazine and became a contributing writer.

1990s

Billy Bauer and Jack Grassel, Long Island, New York, 2001

During the 1990s Grassel played jazz seven nights per week in duos, trios, quartets and with the twelve-piece Chuck Howard Superband. A high point for Grassel was playing duets on classical guitar in concert with Luciano Pavarotti.

From 1990–1993 he studied with George Van Eps, working on solo guitar technique. He recorded his first album, Solo Burner. From 1994 – 1998 he studied with Tal Farlow who recorded some of their sessions which Grassel released on the album Two Guys with Guitars. To facilitate studying with Farlow in New Jersey while living in Wisconsin, Grassel secured a teaching job at the National Guitar Workshop in nearby Connecticut.

By the end of the decade, he had invented an instrument he named the "SuperAx" which contained both guitar and bass guitar strings. His friend, guitarist Kirk Tatnall, built one, too, and they recorded the album Live at the Uptowner with their hybrid instruments. Working part-time for music publisher Hal Leonard, Grassel wrote the trilogy Jazz Guitar Favorites, Jazz Guitar Standards, and Jazz Guitar Classics.

2000s

Jill Jensen and Jack, Caroline's Jazz Club, Milwaukee, Wisconsin, 2002

Hofner guitars hired Grassel to record a promotional album, Guitar Smoke, on the Hofner Jazzica guitar. The purchaser of every new Jazzica found a copy in his guitar case. Also in 2000, readers of Guitar One magazine voted Grassel "one of the 10 best guitarists in America." He married vocalist Jill Jensen and they recorded two albums: It's About the Music which received three WAMI nominations, and Seems Like Dreamst. They performed in clubs during the week. Grassel wrote Power Practicing, Brain Training, and 131 Axercises. He also created the DVD Top 20 Jazz Guitar Lessons.

In 2004, Grassel became ill from a near-fatal staph infection. His body, heart, brain, and nervous system were damaged and he stopped play music. It took many years for him to recover his musical abilities. After regaining his skill, he was still too weak to continue teaching at Milwaukee Area Technical College, so he quit.

2010s

Jimmy Wyble, Jack, Sid Jacobs, Musician's Institute, Hollywood, California, 2009

He teaches at Musicians Institute in Los Angeles and plays concerts with Jensen. They released the album Live at the Carlton Grange, commemorating three and a half years of employment there.

In September 2010, the Wisconsin Conservatory of Music presented a concert of Grassel's compositions, commemorating the fortieth anniversary of his first composition performed there. At the beginning of 2011, seldom leaving home, he began giving Skype lessons to guitarists around the world.

Technique and influence

Grassel comes from a family of musicians. His grandfather played mandolin, his great-uncle the accordion. His aunt Adeline led the Star and Her Five Points band during the 1930s and '40s. His father played trumpet and his brother plays piano.

He developed his own techniques of playing melody, chords, bass, and percussion to sound like three guitarists simultaneously. He combines standard picking technique with classical finger techniques. To avoid sounding like other guitarists, he refrained from listening to any music produced with a guitar for ten years from 1971–1981.

Equipment

Grassel uses the Raezer's Edge Jack Grassel model JG-10 speaker cabinet. He plays the Jack Grassel Artist model JG-1 guitar marketed by Smocke Guitars

Awards and honors

• Showcase for new talent, Guitar Player magazine, 1986
• Grammy Award nomination, Nine Ways of Looking at a Blackbird, with Lukas Foss, 1988
• Named one of Guitar One magazine's Best Guitarists, 2000
• WAMI award: Jazz artist of the year 1992, 1996, 1998, 2000, 2003, 2008; Guitarist of the year, 1994, 2003, 2007

Discography

• Solo Burner (Frozensky, 1993)
• Christmas Presence (Frozensky, 1998)
• Guitar Smoke (Frozensky, 2001)
• Live at the Uptowner (Frozensky, 2002)
• Thunder Stones (Frozensky, 2002)
• Matrix (Frozensky, 2003)
• Two Guys with Guitars (Frozensky, 2004)
• Ghost Ridge (Frozensky, 2006)
• 10 (Frozensky, 2006)
• Magic Cereal (Frozensky, 2007)

Bibliography

• 1974 – Guitar Seeds
• 1976 – Monster Chops
• 1992 – Power Practicing
• 1994 – Big Ax
• 1996 – Super Ax
• 1998 – Jazz Guitar Favorites
• 1998 – Jazz Guitar Classics
• 1998 – Jazz Guitar Standards
• 2004 – Brain Training
• 2004 – 131 Axercises
• 2008 – 70 Jazz Compositions
• 2008 – Top 20 Jazz Guitar Lessons (DVD)