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== Collections ==
== Collections ==
The second level of the West Wing houses archaeological artifacts, Buddhist and Shinto sculptures, ceramics created in specific styles meant either for tea or food service, lacquer wares, textiles, cloisonné and armor. The Helen and Felix Juda Gallery, next to the West Wing second level, is primarily reserved for Japanese prints displayed in rotating exhibits. The collection includes traditional woodblock prints from the [[Edo period]] (1615-1868), as well as a large number of prints from the [[Meiji period]] (1868-1912), [[Taisho period]] (1912-1926), and the [[Showa period]] (1926-1989). Displays change every three months and follow a pattern based on periods, themes, or styles.<ref name="japanese001">{{cite web | last = | first = | authorlink = Los Angeles County Museum of Art | title = Japanese Art | work = Los Angeles County Museum of Art website | publisher = Los Angeles County Museum of Art | date = 2007 | url = http://www.lacma.org/japaneseart/japan.htm | accessdate = 2007-09-20}}</ref>
Buddhist and Shinto sculpture, ceramics, lacquer ware, textiles, cloisonné, and armor are one display on the second level of the Pavilion's west wing. The Helen and Felix Juda Gallery, also on the second level, is primarily reserved for Japanese prints displayed in rotating exhibits. The museum's collection includes traditional woodblock prints from the [[Edo period]] (1615-1868), as well as a large number of prints from the [[Meiji period]] (1868-1912), [[Taisho period]] (1912-1926), and the [[Showa period]] (1926-1989). Print exhibitions change every three months and are based on periods, themes, or styles.<ref name="japanese001">{{cite web | last = | first = | authorlink = Los Angeles County Museum of Art | title = Japanese Art | work = Los Angeles County Museum of Art website | publisher = Los Angeles County Museum of Art | date = 2007 | url = http://www.lacma.org/japaneseart/japan.htm | accessdate = 2007-09-20}}</ref>


The exhibition space in the East Wing displays a rotating selection of prints from the Edo period, including works from the [[Rimpa]], [[ukiyo-e]], and [[Maruyama-Shijo]] schools as well as spontaneous creations made by [[Zen monk]]s.
The exhibition space in the pavilion's east wing displays a rotating selection of prints from the Edo period, including works from the [[Rimpa]], [[ukiyo-e]], and [[Maruyama-Shijo]] schools as well as spontaneous creations made by [[Zen monk]]s.


The plaza level contains the Raymond and Frances Bushell Netsuke Gallery, which holds an encyclopedic array of 836 works from the 17th through the 20th century. This gallery provides visitors with a 360 degree view of the miniature sculptures known as [[netsuke]]. In traditional Japan, netsuke were used as a toggle and [[counterweight]] for suspending hanging purses from the sash of mens [[kimono]]s.
The plaza level contains the Raymond and Frances Bushell Netsuke Gallery, which holds an encyclopedic array of 827 works from the 17th through the 20th century. This gallery provides visitors with a 360-degree view of the miniature sculptures known as [[netsuke]]. In traditional Japan, netsuke were used as a toggle and [[counterweight]] for suspending hanging purses from the sash of men's [[kimono]]s.


== Architecture ==
== Architecture ==

Revision as of 00:25, 11 October 2007

Shin'enKan Pavilion of Japanese Art
Shin'enKan Pavilion of Japanese Art
Map
General information
TypeArt Museum
Architectural styleExpressionism, New Modernism
LocationLos Angeles, CA
Construction started1978
Completed1988
Design and construction
Architect(s)Bruce Goff (completed by Bart Prince after Goff's death)

The Shin'enKan Pavilion of Japanese Art is a part of the Los Angeles County Museum of Art containing the museum's collection of Japanese works that date from approximately 3000 B.C. through the 20th century. The building itself was designed by renowned architect Bruce Goff.[1]

Collections

Buddhist and Shinto sculpture, ceramics, lacquer ware, textiles, cloisonné, and armor are one display on the second level of the Pavilion's west wing. The Helen and Felix Juda Gallery, also on the second level, is primarily reserved for Japanese prints displayed in rotating exhibits. The museum's collection includes traditional woodblock prints from the Edo period (1615-1868), as well as a large number of prints from the Meiji period (1868-1912), Taisho period (1912-1926), and the Showa period (1926-1989). Print exhibitions change every three months and are based on periods, themes, or styles.[2]

The exhibition space in the pavilion's east wing displays a rotating selection of prints from the Edo period, including works from the Rimpa, ukiyo-e, and Maruyama-Shijo schools as well as spontaneous creations made by Zen monks.

The plaza level contains the Raymond and Frances Bushell Netsuke Gallery, which holds an encyclopedic array of 827 works from the 17th through the 20th century. This gallery provides visitors with a 360-degree view of the miniature sculptures known as netsuke. In traditional Japan, netsuke were used as a toggle and counterweight for suspending hanging purses from the sash of men's kimonos.

Architecture

The building was designed by Bruce Goff.

References

  1. ^ van Roessel, Annemarie and Christa Aube. "The Bruce Goff Archive in the Department of Architecture, The Art Institute of Chicago." The Newsletter of the National Historical Publications and Records Commission Volume 30:2, June 2002 [1]
  2. ^ "Japanese Art". Los Angeles County Museum of Art website. Los Angeles County Museum of Art. 2007. Retrieved 2007-09-20.