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Keftiu

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Keftiu (Middle and Late Egyptian Keft, Keftu, Kaftu, Kafta, Kefdet, Keftju;[1] Old Testament kaphtor; Akkadian kaptaritum; Assyrian kaptara; Ugaritic kptwr, kptr; Mycenaean kapte?[a]) in ancient Egyptian sources referred to the region of Crete and, among other things, its Minoan-Mycenaean inhabitants and trading ships, which had a range as far as Crete.[b]

In the 13th century BC, the Egyptians transferred the geographical designation to the Levant. A similar development of localization is noticeable in the writings of the Old Testament. There, kaphtor was originally the Greek homeland of the Philistines. In the Septuagint, however, kaphtor is located in the region of Cappadocia.

Geographical attestation

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In Amenhotep III's list of Aegean place names, the villages belonging to Keftiu are mentioned: Kenesch (Knossos), Byschty (Phaistos), Amnesch (Amnissos), Keteny (Kydonia) and Leket (Lyktos).

Texts from Ugarit mention the ancient Egyptian Memphis as the “hereditary land of Crete”, together with a geographical description of the location of Crete (kaphtor).

Ancient Egyptian depictions of the Keftiu

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The surviving reliefs from the tombs of Theban officials from the New Kingdom date from the reigns of Hatshepsut to Amenhotep II and show the keftiu as gift bearers. The earliest depictions can be seen in the tomb of Senenmut. There, the beardless representatives of the keftiu wear long black hair in a noble appearance. The brownish-reddish skin color corresponds to that of an Egyptian. In the tomb of Amunuser (TT131), the Keftiu, their costume and their gifts are also depicted in an almost culturally accurate manner.[3] In the tomb of Rekhmire, the Cretan envoys were initially depicted with Minoan-Cretan aprons, long open hair and forelocks.[4] Peter Haider dates the vases depicted to the period between 1462 and 1455/50 BC. The subsequent overpaintings, which were carried out by 1436 B.C. at the latest, show the envoys in typical Mycenaean festival style with knee-length aprons decorated with fringes. The subsequent repairs to the wall depictions prove that the ancient Egyptian artists aimed for a detailed depiction.

Notes

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  1. ^ The male name “ka-pte” is documented on Knossian Linear B texts. A connection to the island name is uncertain because the interpretation of the name is still unclear; according to Berit Hildebrandt: Damos and Basileus. Munich 2007, p. 55.
  2. ^ The equation of “Keftiu” with Crete is now undisputed in research. The general term “keftiu ships” refers to the possibility of reaching distant Crete. Conversely, this does not automatically mean that “keftiu ships” sailed to Crete or came from there.[2]

References

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  1. ^ The ancient Egyptian “kft” stands for the term “kaftar” as the name of Crete; according to Gustav Adolf Lehmann: The 'political-historical' relationships of the Aegean world in the 15th to 13th centuries BC. BC on Egypt and the Near East: Some notes. Stuttgart 1991, p. 106.
  2. ^ Cline, Eric H., ed. (2012). The Oxford handbook of the Bronze Age Aegean. Oxford New York: Oxford University Press. pp. 822–824. ISBN 978-0-19-996867-1.
  3. ^ Büchner, Georg (1988). Sosnosky, Theodor von (ed.). Gesammelte Werke. Klassiker-Bibliothek. Essen: Phaidon Verl. ISBN 978-3-88851-085-4.
  4. ^ Berit Hildebrandt: Damos und Basileus. Munich 2007, p. 62.