Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.
Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
Inscription of lines 468–473, Book I. Dated 400–500 AD, from Egypt, on display at the British Museum
The Iliad (/ˈɪliəd/ⓘ; Ancient Greek: Ἰλιάς, romanized: Iliás, [iː.li.ás]; lit.'[a poem] about Ilion (Troy)') is one of two major Ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. The Iliad is often regarded as the first substantial piece of European literature and is a central part of the Epic Cycle.
Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger (μῆνις) of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector. The narrative moves between wide battleground scenes and more personal interactions. (Full article...)
...that Chamunda(pictured), a fearsome aspect of the Hindu Divine Mother, was worshipped by ritual human and animal sacrifices along with offerings of wine?
Fenrir and Naglfar on the Tullstorp Runestone. The inscription mentions the name Ulfr ("wolf"), and the name Kleppir/Glippir. The last name is not fully understood, but may have represented Glæipiʀ which is similar to Gleipnir which was the rope with which the Fenrir wolf was bound. The two male names may have inspired the theme depicted on the runestone.
Fenrir (Old Norse 'fen-dweller') or Fenrisúlfr (Old Norse "Fenrir's wolf", often translated "Fenris-wolf"), also referred to as Hróðvitnir (Old Norse "fame-wolf") and Vánagandr (Old Norse 'monster of the [River] Ván'), is a monstrous wolf in Norse mythology. In Old Norse texts, Fenrir plays a key role during the events of Ragnarök, where he is foretold to assist in setting the world aflame, resulting in the collapse of humanity and society, and killing the god Odin.
Fenrir, along with Hel and Jörmungandr, is a child of Loki and female jötunnAngrboða. He is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda and Heimskringla, composed in the 13th century. In both the Poetic Edda and Prose Edda, Fenrir is the father of the wolves Sköll and Hati Hróðvitnisson, is a son of Loki and is foretold to kill the god Odin during the events of Ragnarök, but will in turn be killed by Odin's son Víðarr. (Full article...)
Image 18Several mythical creatures from Bilderbuch für Kinder (lit.'picture book for children') between 1790 and 1822, by Friedrich Justin Bertuch (from Legendary creature)
Image 41The Stone of Destiny (Lia Fáil) at the Hill of Tara, once used as a coronation stone for the High Kings of Ireland (from List of mythological objects)
Image 50Amenonuhoko (天沼矛 or 天之瓊矛 or 天瓊戈, "heavenly jeweled spear") is the name given to the spear in Shinto used to raise the primordial land-mass, Onogoro-shima, from the sea (from List of mythological objects)
Image 51This panel by Bartolomeo di Giovanni relates the second half of the Metamorphoses. In the upper left, Jupiter emerges from clouds to order Mercury to rescue Io. (from Myth)
Image 55Opening lines of one of the Mabinogi myths from the Red Book of Hergest (written pre-13c, incorporating pre-Roman myths of Celtic gods): Gereint vab Erbin. Arthur a deuodes dala llys yg Caerllion ar Wysc... (Geraint the son of Erbin. Arthur was accustomed to hold his Court at Caerlleon upon Usk...) (from Myth)
Image 58Lord Vishnu took the form of Beauty Mohini and distributed the Amrita (Ambrosia, Elixir) to Devas. When Rahu (snake dragon) tried to steal the Amrita, his head was cut off (from List of mythological objects)
Image 61Sampo, a magical artifact of indeterminate type constructed by Ilmarinen that brought riches and good fortune to its holder, in the Finnish epic poetryKalevala (The Forging of the Sampo, Joseph Alanen, 1911) (from List of mythological objects)
Image 64The Deluge, frontispiece to Gustave Doré's illustrated edition of the Bible. Based on the story of Noah's Ark, this engraving shows humans and a tiger doomed by the flood futilely attempting to save their children and cubs. (from Comparative mythology)
Image 67As is usual in bestiaries, the lynx in this late 13th-century English manuscript is shown urinating, the urine turning to the mythical stone Lyngurium (from List of mythological objects)